By Robert Elegant
Reprinted from Encounter (London), vol. LVII, No. 2, August 1981, pp. 73-90
The author has given VVFH permission to reprint here.
IN THE EARLY 1960s, when the Viet Nam War became a big story, most foreign correspondents assigned to cover the story wrote primarily to win the approbation of the crowd, above all their own crowd. As a result, in my view, the self-proving system of reporting they created became ever further detached from political and military realities because it instinctively concentrated on its own self-justification. The American press, naturally dominant in an "American war," somehow felt obliged to be less objective than partisan, to take sides, for it was inspired by the engagé "investigative" reporting that burgeoned in the United States in these impassioned years. The press was instinctively "agin the government"—and, at least reflexively, for Saigon's enemies.
During the latter half of the fifteen-year American involvement in Viet Nam, the media became the primary battlefield. Illusory events reported by the press as well as real events within the press corps were more decisive than the clash of arms or the contention of ideologies. For the first time in modern history, the outcome of a war was determined not on the battlefield but on the printed page and, above all, on the television screen. Looking back coolly, I believe it can be said (surprising as it may still sound) that South Vietnamese and American forces actually won the limited military struggle. They virtually crushed the Viet Cong in the South, the "native" guerrillas who were directed, reinforced, and equipped from Hanoi; and thereafter they threw back the invasion by regular North Vietnamese divisions. Nonetheless, the war was finally lost to the invaders after the U.S. disengagement because the political pressures built up by the media had made it quite impossible for Washington to maintain even the minimal material and moral support that would have enabled the Saigon regime to continue effective resistance.
